My (French) car started coming up with a weird error message the day after its annual service:
PLIP BATTERY SPENT
I had no idea what it meant and groaned inwardly that it started happening the day after a service.
Was PLIP an acronym for something weird hidden within the car?
A quick google to find out what it means takes me down a linguistic voyage of discovery.
Apparently, un plip is the onomatopoeic French word for remote key fob. Makes the English word seem staid by comparison.
Unhelpfully the car’s manual suggests that the replacement size of battery is one that doesn’t appear to exist – CR0523?? For now I will resort to using the spare key – a bit of a novelty given this is the first car I’ve ever owned that has a spare key!
Normally I would doctor a recipe so that it had no more than half a clove of garlic per finished portion. Last night, my husband was not eating with us so I threw caution to the wind, and made it as per recipe, four cloves of garlic for three people, plus the gremolata. The recipe called the gremolata, a garnish of chopped parsley, lemon zest and raw garlic, an essential part of the dish. Without that warning, I would probably have not made it, because I know that raw garlic almost always has unpleasant effects on my digestion, not least horrible burps, heart burn and the sort of acid indigestion that leads to me waking up traumatically feeling like I’m drowning in bile. My only real cure on nights like that is to trough a packet of gaviscon and spend a few hours trying sleep sitting upright.
I should have trusted my instinct, because that’s exactly what happened! After feeling garlic-sick all evening, I could only finally go to bed without problems at gone 4 in the morning.
At least I now know for certain that I don’t like and cannot eat gremolata!
As for those websites that see raw garlic as a cure for heartburn, well!
I made the osso buco in the first place really only because the butcher didn’t have any lamb shanks when I ordered and suggested this as a substitute, stewed, bone-in, meat.
One of the seminars we had about school culture in the last days of last term featured this TED Talk by Chimamanda Adichie called the danger of the single story.
In it she recounts her own experiences talking to people whose only impressions of Africa included starving orphans in mud huts, and the dissonance that caused with her own African life. She talks about how her own writing began in homage to her own reading, and that her childhood involved few stories written in Africa.
But as she she was talking of the danger of the single story, it was something a little closer to home that was going through my mind.
I had recently put “Aspley” into the Nottingham Post website to find a story there about a proposed and rejected 20MPH zone on a main road in what used to be my ward. If you do that you get a slew of horrible stories about bad things that have happened. Violence, theft, murder. Smoking, burglaries, tragic death of motorcyclist.
You have to do quite a lot of paging down to find even neutral stories, let alone any of the positive things that are happening in that part of the world.
TED is the awesome, highly regarded website with fabulous videos of world leading speakers talking about interesting things.
TEDx is their programme of running local events, which, it appears are run by volunteers across the globe.
TEDxNottingham brings all the fun of TED really locally to Nottingham on March 17th this year.
So where is the troubling news? Normally if someone gave me this information I would have no qualms about letting people know as widely as possible.
The trouble is I learned about it because the TEDxNottingham twitter account are spamming the heck out of anyone with a vaguely local twitter presence. Which I think is MORALLY WRONG. This is not how you do twitter! Stop it at once!
So I don’t know whether I should be spreading the news because it’s interesting and lots of people I know would like to hear about it, or to stand well back and let the EVIL SPAMMERZ FOAD.
I called them on it, and they apologised, saying they were running their spammy tweets late at night so as not to splurge people’s timelines, but I still think they should not be doing it at all. Still, I’m not PR savvy enough to suggest what they might be doing instead…
Well, I have finally written all my Christmas cards. I got most of the inland ones into the post slightly before Christmas, but delayed still further the overseas one, and since I will have to take them to the post office to buy stamps, they won’t even get into the post until Tuesday, and probably won’t arrive before the 12th day of Christmas.
As is my wont, I include a little Christmas newsletter with one or two snaps and snippets of my life this year. Here is a copy for 2011.
I see uploading my newsletter to my blog as a way of preserving them for posterity – another symptom of my almost pathological hoarding problem. I see on reviewing previous years’ postings on this topic that the links have not survived the most recent change of hosts. So much for posterity. (Actually, whilst writing this, I have discovered that all of the files are still there and are just fine. It’s just that the new host has put them in a different folder, so I will have to go back and find all the posts and rewrite the image URLs… #bohof)
This sort of newsletter is increasingly widely derided these days – there was even a programme on t’wireless about how awful they are, but I quite like receiving them and I know mine was warmly received in at least one location this year.
And, interestingly, or perhaps not, I think this is the first year I’ve barely even taken my SLR out of its case. All of the photos I drew on were taken on my mobile.
For the last ten years and more I’ve spent every NYE with the same group of friends. This year, as more of them have children than before, it was hard to arrange something that went to midnight so instead we had our traditional murder party during the day, leaving us free for the evening, and so instead I went and spent the evening with new friends from my teacher training course.
A traditional English New Year celebration doesn’t really include very much, does it? Auld Lang Syne and fireworks, and is that about it? Because most of the participants are training to be German teachers, and one of us was German and two of us had recently been in Germany for Christmas, we ended up with a German-themed NYE celebration.
Some components of this included:
Feuerzangebowle
You start with mulled wine (Glühwein) and you garnish it spectacularly. You take a six inch cone of sugar, soak it in rum and place it on a special grill tray over the pan of mulled wine. You then set fire to the rum-soaked sugar so that the rum burns, there are Christmas-pudding style flames coming off the punch and the sugar caramelizes.
I half surprised myself by dragging the component parts of that word out of my long-dormant German vocabulary. Gießen means “to pour” and Blei is lead, as in Bleistift (lead) pencil and Bleifrei, lead free as in petrol. So Bleigießen is a fortune telling game where you have a metal spoon and small, hollow lead moulds of things like hearts, coins, etc. You put the lead moulds on the spoon and hold them over a candle until they melt. Then you quickly tip the molten lead into a bowl of water and match the shapes it makes as it quickly sets with a table of shapes on the back of the packet.
Dinner for one
This is a famous English music-hall sketch that is widely watched in Germany on New Year’s Eve. Despite being aware of it and having seen a few clips, and despite it being only short I’d never seen it all the way through before. The version I’ve got above from Youtube is not the one we watched last night, but it will do for elaboration purposes.
German board games
In the last few years there has been an explosion of new “Eurogames” – boardgames that take participants beyond the old traditional range of Monopoly, Cluedo and Mousetrap. Monopoly in particular is a horrible game. It takes ages, it continues after some players have been eliminated, most people play a version of it that isn’t in the actual game rules, and I’m glad I haven’t had to play it for years!
I’ve been playing new German boardgames, ironically with my old English friends, but they made a nice addition to German New Year’s Eve. And they count, because they’re made by Germans, even if they don’t have German names!
One of our friends brought Settlers of Catan, and unfortunately I still have never played it. It has a formidable reputation, but I fear it might be a bit fiddly, and not entirely suited to not entirely sober company (see Feuerzangebowle, qv).
I can’t rave about Carcassonne enough – it’s a simple game, with only three or four basic rules – but its simplicity belies a complex strategy game with lots of scope for competitiveness. You have a bag of tiles and a small stock of man-shaped wooden pieces called “Meeples”. The tiles depict aspects of mediaeval life: cities, roads, farms and monasteries. Every go, you must play a tile and you can choose to play a meeple. Roads and cities span more than one tile and each tile you play must fully line up with the existing tiles – cities must match to cities, roads to roads. You choose to play a piece, if you have some left, onto the tile you have just played, to claim ownership of a feature, and features are scored once they are complete, so when roads start and end and when cities have walls all around them and when monasteries are surrounded.
Once you have played and enjoyed the base game, there are numerous expansions to make the game just a little bit more interesting still. When I try and introduce this game to other people, I like to play the base game then incorporate the expansions, so that people have a chance to understand the extra simple rules separately to the main game.
We also played Nacht der Magier, a game ideally suited to young and/or drunk people. It has glow-in-the-dark pieces that have be charged under a lamp, and the game itself is played with the lights out. I’ve taken this to a few people to play, and everyone always wants to play it again. You have playing pieces that are witches, red cauldrons with symbols on and a glow in the dark fire. All of the pieces are round, and the playing pieces are surrounded by wooden pieces that replicate trees and discs. All of the pieces sit on an elevated playing board completely filled with the circular pieces. In the dark, you have to push your cauldron into the fire from the edge of the elevated board, but because all of the pieces are circular their movement is unpredictable. Your go ends when a circular piece falls off the board and you can hear it clatter to the table.
I shall now draw this blog post to a conclusion before it goes over 1,000 words, completely unacceptable for a blog!
The WordPress.com stats helper monkeys prepared a 2011 annual report for this blog.
Here’s an excerpt:
A San Francisco cable car holds 60 people. This blog was viewed about 2,300 times in 2011. If it were a cable car, it would take about 38 trips to carry that many people.
As part of our seminar on listening skills today, we had a volunteer describe a painting she was looking at, and we all had to draw it ourselves.
Here’s my drawing:
We were aiming for this Picasso painting, with which I was not previously familiar:
Actually, my rendition is not too bad. The clarinet player is almost right. I don’t think the left-to-right aspect was clearly explained as I think most people drew it like I did.
As mentioned a few months ago, I’ve been taping an audiobook for Iambik Audiobooks, a company that grew in the fertile soil of Librivox, where I have a few titles and many more chapters.
A good number of hours ensconced with the text and my trusty Zoom H2, and huge number more hours editing, and sterling effort from a team including a proof-listener (thanks Diana!), artwork, technical and post-prod directors, and hand-holder-in-chief Gesine Kernchen, brings the project to a close.
It’s now available for sale here. You can get it in an iPod friendly format or DRM-free honest-to-goodness plain and simple MP3s. Payment via credit-card or Paypal. Over three hours of me speaking direct into your earhole, swearing, talking blood and guts, doing a brief Morgan Freeman impression, jonesing, going on heroin flashbacks… G’wan, you know you wanna.
Oh, and the story is ace too. Big shout out for its author Nicholas Kaufmann. The text grips you from the start – get more than about a third into it and you will probably find your life on hold until you’ve finished it. The characters are strong and vivid and you are rooting for the protagonist so hard it hurts – despite her many flaws and the sea of destruction around her.
Interestingly, it seems the audiobook edition is the cheapest way to get hold of this story in the UK! (You can get it in print on Amazon here and as a Kindle edition here.
I have been asked twice in the last few months for restaurant recommendations in Nottingham, and have been thinking I should maybe start reviewing the trips we make. Eating out is increasingly one of our leisure activities, as funds allow, and as time is short for cooking these days. Nottingham offers a huge range of restaurants in every price category.
We have had a number of restaurant meals since I resolved to start writing reviews, and, erm, no reviews yet. So I thought I would write a list as a warm up. This is non-exhaustive, and I am sure I will miss out loads of places we like in my haste to write something – anything!
Local to us in Sherwood
Sherwood’s restaurant scene is one of the key reasons we chose this awesome suburb when we bought our house. There is such a glorious range of eateries just a few hundred metres from our front door, and as often as not you can just turn up and eat at any of them without booking on those nights when the Hob Fairy has deserted you.
La Capanna – lovely Italian food, pasta and meat dishes mainly but I see they have started doing pizza as well. Regular specials and a permanent menu. Have the stroganoff if it’s on the board, otherwise I almost always have the pâté con crostini and the tagliatelle chef special. House wine is in litre bottles, which is sometimes a surprise.
Le Mistral – small and friendly French restaurant chain operating in a few counties near here. Good wine list. Small, tasty menu. Good value.
Rajah – our local curry house. V tasty. Good for veggies too.
Up in the other direction from home, on the edge of Mapperley Top, is the Bread and Bitter, fab pub with food, and definitely in the category of “should go here more often.”
Panda – not the best food in the world but cheap and tasty and just right for when it’s Chinese you fancy.
City centre
Yammas – P’s sister had her birthday in their upstairs room, and we’ve been itching to go back since. Greek, meze style restaurant, food lovely, not too pricey, good and quick for a pre-cinema bite. On our last visit they did try and get us to order a little more food than you strictly speaking need, ie more than one meze main per person, but backed off when we said we were in a hurry and on a diet. (less convincing when you have puddings)
French Living – definitely my favourite of the French restaurants in town, but I tend to find it a little on the pricey side as I get carried away in the wine pages. Other options are Petit Paris and the other Nottingham Le Mistral, but by choice for me it is French Living. There is a really authentic French vibe about the place and all the staff are fluent French speakers, which gives me a little chance to show off slightly. It’s often the place we go ahead of a French trip to get P back in the mood of speaking French. Open lunchtime and evenings, and although every time we have eaten there has been as a walk-in, we are always made to feel as if we were lucky to have got a table without booking.
Aubrey’s Creperie – great for lunch or an early, pre 6pm dinner, this creperie is valiantly trying, almost single handedly, to regenerate the seriously faded West End Arcade. They have super crepes, French cider, will cater gluten free or vegan if asked, and have delicious food. The place is tiny, and it sometimes takes a while to get fed, but it’s worth the wait.