Tweets on 2011-07-14

  • RT @timprater: http://tp.me.uk/a0pHv <<< wait, what? There's a golf event called the Sandwich Open?! #
  • @tom_geraghty hah – I might have some of those through CMIC. http://bit.ly/oNCAmN in reply to tom_geraghty #
  • @pongogirl @chriskeating it only stuck in my head because I thought "'car head'? that's a thing now?" 🙂 in reply to pongogirl #
  • Hmm. My filing system is better than I thought. I found my GCSE, A Level and both degree certificates after only a 5 min search. #
  • NB my certificates were in my otherwise completely unused and utterly useless National Record of Achievement. I resented it at the time. #
  • This Murdoch scandal. Actually. You know. I don't care. I just don't care at all. There. I've said it. #
  • Photo: Father and son at first and last Space Shuttle launches, 30 years apart – Boing Boing http://bit.ly/r0pDMy #
  • @NCCLols common problem in reply to NCCLols #
  • Looking around. Noticing it's suddenly light. Bugger. How did that happen? #

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Apology replacement service

A couple of links about railways have passed my desk in recent times.

The first is an Economist blogger who hates the special language the railways have developed. In the comments, it develops into more hatred for the automated announcements that blight our stations and trains. Lateness is so normal that robots apologize for it without reference to real people. Once a train is more than thirty minutes late, the robot automatically becomes “extremely” sorry.

My own pet hates, particularly when I am unfortunate enough to use Nottingham railway station in the morning, are the ticket barriers, and the constant reminders of things people shouldn’t do on the platform: smoke, leave their luggage unattended, and, apparently, be unaware that CCTV monitors the station 24 hours a day.

Once, on a tour of council housing estates with the then CX of Nottingham City Homes, he told me that he hated the little signs on lampposts about domestic violence and burglary and smartwater. He told me they were tantamount to putting up signs that say “We hit women!” and “Lots of crime happens here!” If domestic violence and burglary are so endemic you need to start putting up signs for the violent people and the burglars then you have lost the plot in a big way.

In my travels recently, I passed an abandoned lorry trailer in a layby, on which was emblazoned, in 20 or so EU languages, “WARNING! LORRY THIEVES OPERATE IN THIS AREA!” – attempting to tell drivers that if they nap in their cab in a layby, they might wake up to find their trailer has been nicked. How depressing that this is common enough an occurrence to need an ad to tell people about it? Why not simply have one that says “TRUCKERS – the police here are useless!” since this is clearly the subtext many people will get from the other ad.

So it is with wretched ticket barriers. They are an admission of failure. Fare evasion is so much a normal part of the travelling experience in the UK that it is apparently worth spending millions of pounds on hateful robots that sit in our stations and assume all travellers are fare dodgers until they prove they’re not. I hate them so much. If, as I do, you celebrate your timely arrival at the station before a train by buying a coffee and a danish from Amt Espresso in Nottingham Station’s distribution hall, you then find you do not have enough hands to operate the machinery: coffee in one hand; cake in the other, how are you supposed to sort out your wallet, sort through the 20 coupons you were given, locate the one the barrier will understand as a ticket, feed it into the tiny slot and get through without scalding yourself, or worse, dropping the cake? They must be a pain for those with mobility problems, cycles or more small children than hands. And far from replacing the staff, the robots need a small army of human chaperones to fix the inevitable problems when half the travelling public are unable to use the barriers. Surely that small army would be just as effective if they were there on their own unsupported by the hated robots?

The barriers are certainly a part of Paris’s Métro system and I expect you can see them in other parts of France too. Yet in my experience most of Germany’s public transport relies on more honesty from its passengers. Yes, they have ticket inspectors – rarely – but the stations are much more open, and of course there are a lot more of them – and everyone just assumes that most people will pay their way. I wonder if anyone has ever prepared an infographic on ticket barriers? Is there line across the globe like the line with details of how you pronounce A in words like “bath”? Barriers vs inspectors? Fare-evaders vs fare-payers.

My second rail link is here, as usability experts take a look at rail tickets and see if their design can be improved. No question there is substantial scope for improvement and the blog post takes us through the problems and potential solutions. It’s been at least fifteen years since I looked at the ADULTS: ONE CHILD: NIL line on the tickets and wondered what the point was: they had obviously been designed so that it was possible to have a whole family travel with one ticket, and this functionality has never been used, at least as far as I am aware.

When I shared the link on G+ an irritable friend opined it was time to ditch tickets altogether in favour of phone apps and home printing. But even if they did introduce those, they’re still not going to be able to get rid of ticket offices entirely, and if they are going to print some tickets it would help to make them more understandable. I have certainly spent many uncomfortable moments on trains listening to train staff and conductors break the bad news to passengers within earshot that their ticket is not valid on the train they are travelling on and they either have to leave at the next station or pony up a penalty fare. Any attempt at clearing up the confusions that arise from the increasingly complicated fare structures should be welcomed, as of course should any attempt at simplifying fares.

Tweets on 2011-07-13

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Tweets on 2011-07-11

  • @dr_nick has she passed test? in reply to dr_nick #
  • @lucyhg I still can't stop looking! #
  • RT @FatzBurger: Well, it's time to tell you: the rest of us only pretend to sleep, you're the only one that actually passes out. #
  • Still sniggering at "Have fun with all your circles with your webcam!" #
  • @kathyclugston a bit mad, true, but in a good way. Who wants sane friends? in reply to kathyclugston #
  • RT @ObiGrae: Bridesmaids is still the funniest "romcom" of the year so far! Go see… GO SEEEEEEEEE! #fact <<< #true #
  • @Meryl_F yup! in reply to Meryl_F #
  • How Weymouth Relief Road lead to increased knowledge about Viking dentistry http://bit.ly/oKSSRS #
  • RT @Lobbydog: The rot has set in. My mum visited at the weekend and asked: "Darling, you've never hacked anyone's phone, have you?" #
  • RT @trioptimum: My favourite fact about today: the planet Neptune was discovered on 23 September, 1846—one Neptunian year ago. #

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Mealplanning and cooking with leftovers

For the last three months or so, when I’ve been home all week, I’ve been much more rigorous about meal planning and cooking an evening meal. I start the week – before I go shopping – by writing out what will be the evening meal for both of us, then head to the supermarket. This has really saved me some money, cut down how often I shop and some weeks, when I start off thinking there’s loads leftover, has got the weekly shop down to £20. Not bad!

Some of the parameters for the mealplan for the week are: one and often two veggie nights – or at least meat free. When it’s just us, I don’t make much of an effort to make sure I am totally veggie, so might still use a meat stock, for example. Another is that evening meals contain at least 2 portions of veg to fit in with a general plan of 1x juice with breakfast, two fruits at lunch and voilà – 5 a day.

And for each week I try and make sure there’s at least one pair of cooking too much / cooking with leftovers the following day. An example is the 2×2 lasagne I blogged about a few years ago. ((years? really?? omg)) This week I shall be doing something a little like that, but with canneloni and a blue cheese sauce.

Other things I like to do are:

Roast chicken: one roast chicken will feed two of us at least three times, and then boiling up the bones for stock is a good way to take up space in the freezer get further tasty meals in future. Subsequent meals include: chicken pie with a simple crust and a sauce made from crème fraiche and mushrooms and chicken risotto using the stock as well

Bacon joint: Sainsbury’s has these rolls of smoked bacon as a joint that are particularly delicious and available in smaller sizes. The 750 gram joint will just about feed two twice if you are not piggy. It does rather annoy me that something sold in exactly 750 grams has cooking instructions based on multiples of 500 grams, so I always have to blink twice whilst doing the maths to work out the cooking time. Something like this in the oven is a good excuse to do jacket potatoes at the same time, so the first meal is usually bacon, baked potatoes and cauliflower cheese, and versions of the second meal have been chunky pea and ham soup and yer basic ham egg and chips.

Sausages: usually another excuse to do baked potatoes, supermarket sausages are usually sold in packets of 8, which is too many for two but not enough for four, so the leftover 2/3 sausages need substantial bulking out to turn into another meal. However, what I have been doing lately which is rather nice and reasonably healthy is a veg-ful pasta sauce where you fry an onion, celery and carrot until translucent, then add a tin of tomatoes and a glass of wine and boil furiously until the wine is pretty much reduced and glossy. Add in the sausages somewhere along the line and start boiling pasta towards the end, mix the lot together and there you go.

Saturday Night and Sunday Morning

On Saturday night, we watched Saturday Night and Sunday Morning. Sunday morning, and I am writing a blog post about it.

It’s an awful admission for a Nottingham resident to make, but I’ve never seen it before, and I haven’t read the book either. I met Alan Sillitoe once when he was given the Freedom of the City by Nottingham City Council, and just had to sit in silence while other people lauded him. I have a copy of the book, but it’s an old paperback with tiny print, and I can’t summon up the enthusiasm to peer at it. The Kindle has already spoiled me in terms of being able to increase the font size when your eyes are tired.

I liked the film a lot. It held the interest, Albert Finney is quite pretty, and attempting to spot Nottingham locations I still know was fun. (Irritatingly, the WP entry tells us the final scene wasn’t shot in Nottingham at all – no wonder it didn’t look familiar!)

But these days it seemed quite a simple, ordinary story. It would be quite tame for Eastenders, I think.

So most of the historical interest came from the interviews also included on the DVD. I think it was a re-release from the BFI – I’ve wanted to see this for ages, and it was only recently re-released and available from Lovefilm.

Firstly, an audio-only interview with Albert Finney from 22 years after the 1960 release of the film. Amazing shock to hear him talk in the most plummy tones imaginable, after holding down a realistic northern accent all the way through the film. (Although I did a) find myself thinking often it was a bit TOO northern an accent for Nottingham and b) often wonder if I was hearing Paul Holmes…) The film was X-rated when it came out (it’s PG now!). There was a fab bit about the “sex scene.” There is no sex scene! There is a scene where two characters wake up in bed the following morning, and there was some debate about whether this would pass the censors as there was no obligatory “one foot on the floor” as needed for the Code. Further debate on whether Arthur Seaton was allowed to wake up shirtless. That scene now forms the poster image for the BFI re-release, as seen on IMDB.

The interview with Shirley Anne Field, who played dazzlingly pretty Doreen, was as interesting, but was actually filmed, a little on the soft focus side. She made the point that this film was the first to realistically portray working class life; the first to include working class accents that weren’t embarrassing mockney ripoffs; and the first to talk about abortion in any way shape or form.

Amazing how life has changed since.

Tweets on 2011-07-09

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