Zentangle Club

I started a Zentangle club at school on a Monday lunchtime so students can learn about creating Zentangle doodles, edging into mindfulness occasionally, but also just sitting quietly and drawing of a lunchtime.

I started by making a poster and offering lunch passes so people could get through the dinner hall quickly.

My other extra curricula club -  mindfulness and doodling with Zentangle.

The first two weeks, we watched the videos that came with the Zentangle Apprentice kit, all the way from America!

The week after that I made this card to show all that we had learned. The third week, loads more people came, so this card was really useful! I will have to photocopy more when we get back to school.

Summary of what we have learned so far in Zentangle Club.

I think after half term I will go back to basics and show the videos again for the new people.

My only criticism of the Zentangle Apprentice materials is what to do after the children have learned the first 8 tangles. There is clearly lots of potential from just the first ones, but what do we do after that?

At first I thought I would show some more of the Zentangle videos on Youtube in subsequent weeks, and I wondered about borrowing the departmental visualiser and projecting live images of me making tangles.

Then I wondered about making a few cards like this to project in subsequent weeks which give a bunch of new tangles with instructions.

Seven tangles for tomorrow's club. So much more fun than marking.

This didn’t work massively well – perhaps we just need a bit of time working on how to understand the instructions?

Ultimately, I would like to have a huge selection of tangles, each one drawn on a blank 8×5 index card, so that students can pick and choose from the instructions and see what they would like to draw today. Before long, the students should be able to help make the cards themselves, but until then, I’ve had a very happy half term making designs of my own. Each card I have made has the step-by-step instructions and then a sample completed tile using the new tangle.

BETWEED

8x5 cards for Zentangle Club index card box

FESCU

8x5 cards for Zentangle Club index card box

FLORZ

8x5 cards for Zentangle Club index card box

HUGGINS

8x5 cards for Zentangle Club index card box

MIST

8x5 cards for Zentangle Club index card box

NIPA

8x5 cards for Zentangle Club index card box

NZEPPEL

8x5 cards for Zentangle Club index card box

PARADOX

8x5 cards for Zentangle Club index card box

VEGA

8x5 cards for Zentangle Club index card box

W2

8x5 cards for Zentangle Club index card box

ZANDER

8x5 cards for Zentangle Club index card box

PHSE: three fantastic resources for a lesson about consent

Here are three fantastic resources for a PHSE lesson in sex education on the topic of consent. Definitely something we should be teaching in my view! Some of the material is a little explicit and so this is intended for older teenagers. Of course we can’t teach sex ed without being explicit.

For a starter, here are some quotes from the Aqua song “Barbie Girl” as reimagined by LOLCATS. Barbie Girl dates back to my university days, but it is definitely a song today’s teens still know.

For a detailed, but easy to read exploration of consent, there is a fantastic cartoon on OhJoySexToy. Much of the rest of the website – not at all suitable for the classroom! Even this cartoon may be well outside the comfort zone of many teachers, so review it carefully before introducing it in yours.

Finally a letter from the Guardian “To the girl who accused me of rape“. This is a very tough read – and on the evidence presented, a deeply unfair scenario. However, it touches on some issues that are important to talk about and touch on the themes that we use as our bedrock in sex ed: people who have sex early regret it and that sex is supposed to be between two people who are in a committed long term relationship who love and trust each other, and who are open and honest and able to talk to each other about sex before they actually start trying to do it!

This letter would also be a useful reinforcement to the fact that underage sex is actually illegal, a notion which has been responded to with disbelief from young people. Of course it’s not illegal, everyone is doing it. Erm, a) yes it is illegal, and as the letter shows there are some very serious consequences to consider and b) it’s really, really not the case that everyone is doing it.

All three of these resources are things that crossed my browser from adults saying “I wish this had been part of sex ed when I was at school.” For those of us charged with teaching sex ed, it can be a part of it in our classrooms.

Wugs

The wug test is something you do to prove that young children are internalising the rules of the English language. You show them a wug, and there is a short dialogue: “This is a wug. Now there are two of them. There are two _________ ?” Most children over two or three will know the answer is wugs.

I was just googling this and found there’s a wealth of wug related material.

Firstly, there’s a lovely website with many of the original drawings, from 1958.

This is quoted in the wikipedia page for Jean Gleason, who devised the test and a bunch of others I’d not seen before. “This is a dog with QUIRKS on him. He is all covered in QUIRKS. He is a _________ dog.” and even better, “This is a very tiny wug. What would you call a very tiny wug? This wug lives in a house. What would you call a house a wug lives in?” which prompted the commenters to speculate – wuggery? wug-wam? wugloo?

Then this fabulous cartoon.

breeding wugs

Then this…

wug life

Some lovely comments on Arnold Zwicky’s blog.

I once tried to use wugs as a spring board to talking about German plurals but it proved counter productive. We got a little bit obsessed with wugs and kinda didn’t pay a lot of attention to the actual real point of the lesson.

Oh look, you can even get a wug mug!

Music to learn verbs to

I’ve been doing avoir to the Pink Panther theme since finding this lovely TES resource at the very start of my teaching career.

Last week I found I didn’t really have anything for haben and wasn’t that impressed with my options. I went googling and found some absolutely lovely Mozart songs for both key German verbs that are very catchy, slightly silly, and will be used by me for ages to come.

I even wonder if we can get them into the soundtrack for foreign trips.

(slightly chipmunky, also very reminiscent of Sound of Music – I can imagine curtain-clad pirouetting alpine children singing these)

(This is from the Magic Flute and I’m quite interesting in trying to find sheet music. It’s classic choral harmony and I can’t hear it without trying to busk through all the parts)

This is also a great excuse for singing the Queen of the Night song. Not that I would ever do that in front of a class (ahem!).

Up until now I had been doing both sein and être to the tune of Michael Finnegan. You have to include the English in this to work as well. “Ich bin, I am, du bist you are, er ist he is…” and so on.

Both sein and être also work nicely to the Mission Impossible theme. You can fit versions of the whole verb both to the bass introduction and the treble theme once that kicks in.

There is also this balmy and awesome aller song to complete the trio of vital French irregular verbs.

The images are starting to be dated, and some classes can be obsessed with the visuals whilst not listening to the actual French, but it still plays well with most groups. I generally use it with older classes as we start really working on the near future tense. Using mixed / boy and girl bands to explain ils and elles is inspired and chimes much better with students than “on the day the priest visits the convent, they turn from elles to ils.” (although I still tell that story too)

If you are actually going to sing the songs yourself to your class, you need to practise privately before trying to do it with everyone, so you can be consistent with your underlay (how the words fit the tune.) This is why several bemused colleagues have put their head around my classroom door in the last week to find me singing Pink Panther in a darkened classroom. Even my set of personal pronoun hand gestures isn’t moving enough to turn the occupancy lighting back on.

These wonderful youtube videos mean you can use song to teach verbs even if you are the sort of teacher who does not sing yourself.

Stop press – here’s a version of the Pink Panther powerpoint converted to a youtube video!

My differentiation on this – ALL do the jazz hands on vous allez MOST sing all the words SOME sing in tune.

GCSE results

I’m a little fascinated by the table that Steve Smith has reproduced here which stretches the not inconsiderable period from 1993, including 1994 when I got my A* in French, all the way to today, including a small group of students I taught. Of all the people getting GCSE grades in French in 2014, I taught 0.008% of them for less than half their GCSE! Go me! There were 13,000 of us who got A* when I did and 16,000 this year.

All of this slightly silly numbercrunching led my friend Matthew to produce this graph

french

And I wondered about the relative popularity of French, German, and Spanish, went back to the amazing home of GCSE data tables and produced this graph:

mfl entries graph

Spanish is clearly now more popular than German and is continuing to climb, but is a long way away from “replacing French” as this Independent article claims.

Some other points – you can see why it is hard to get a languages teaching job if you have no French at all. And yet it is increasingly common for strong languages graduates only ever to have had the opportunity to study one language at school.

The Indy article speaks of Spanish as an important world language gaining in popularity but I’d argue this is a very North / South American perspective. German is far more common in Europe as this fascinating Wikipedia paragraph points out:

German is the main language of approximately 95 to 100 million people in Europe, or 13.3% of all Europeans, being the second most spoken native language in Europe after Russian (with 144 million speakers), above French (with 66.5 million) and English (with 64.2 million).

I guess we are not talking European Union languages for the factoid about Russia to be true. Spanish languishes in 5th place in Europe.

I left university in 2000 with a 2:1 in French and German with an equal emphasis on the two languages. French has always been my stronger language and I still have a much wider vocabulary and more comfortable grip on the grammar. By the end of my degree I felt a bit of a failure in German – my language module marks were the lowest, I was very poor at university level translation, and I pretty much made a promise never to become a German teacher.

On the way into teaching, however, I was made to feel that my German skills were vitally important, and that anyone who could vaguely pronounce Staatsangehörigkeit or spell Eierschalensollbruchstellenverursacher had a moral responsibility to wade into the modern languages battle and staunch the flood of candidates away from German.

My students regularly ask why they can’t learn Spanish and I only have flippant answers. There’s no-one in school who could teach it, for starters. If you want to learn Spanish, the school would have to fire all the current language teachers and hire new ones. My favourite flippant response to “Why can’t I learn Spanish?” is “I’m not stopping you. Feel free.”

Checklists in MFL – building on marking

Frenchteacher.net has a post about checklists which is helpful, taking Mr H’s idea and running with it.

Here’s a way I’ve been using something similar to raise achievement in all my KS3 classes this year.

Our assessment scheme means all KS3 students do two or three pieces of formal, levelled writing which contributes to their termly reports. Last year I found they were too happy to keep making the same mistakes and not make any progress in their writing, so this year my idea to prevent this was to get them to look at their previous piece of writing before planning the next.

Since we are trying to help them prepare for GCSE controlled assessment the KS3 writing they do is planned and prepared in class, learned off by heart and then regurgitated under test conditions with maybe a cue card to help.

Our school has the Purple Pens of Progress as this year’s Ofsted gimmick – we mark in green and they respond in purple. So at the start of every planning lesson I make them write, in purple pen in their book:

My target level is ___.
This time I am aiming for ___.
To achieve this I must write __ sentences and include
____________________
____________________
____________________
My feedback from last time was
____________________
____________________
____________________

This makes them engage with the marking feedback I spent hours writing on their last assessment (which is copied by them to a sheet in APP folders which they carry around with them at all times, so they should always have a copy). It makes them engage with the marking criteria to preempt conversations like “But I wrote LOADS!! Why didn’t I get a L6?” They know before they begin what features they need to include and a minimum length for their writing piece.

The most common things I tell them they need to include are

* three sentences in French learned off by heart (for people going L2 -> L3)

* five sentences and CORN (L3 -> L4)

(Corn is connectives, opinions, reasons and negatives – they have sheets in their book and I have a display – the CORNwall – that helps with this.)

* 7 – 10 sentences, CORN and another tense (L4 -> L5)

* 10 – 12 sentences, CORN, two other tenses, “very few mistaks”.

(The Y9 helpsheet talks about tenses and accuracy and has “very few mistaks” in it as my little joke to amuse myself. It was a loooooong time through the year before any student noticed.)

Food topic in MFL

We’re just moving into a food topic with Y8 at the minute and with my five classes last year and four this year, it’s now something I’ve had a bit of practice in.

My first lesson is about breakfast food and opinions, so it starts with a textbook vocab list and pictures – students have to match the target language words with the pictures and then write a vocab list in their books.

Then I get them to generate English words to fit the sentences “I like bread because it’s _____” and “I don’t like cheese because it’s _____” and they go off to the dictionaries to find the words they need. They need to be able write sentences like this – opinions and reasons – to get through level 4 in the National Curriculum for modern foreign languages and do well in their end of term exams.

I like doing it this way because it means each different class has a slightly different word bank and when I’m marking 250 versions of the same thing there is enough variety to keep it interesting for me.

They have to run the words by me at first so that I can advise and guide a little – they will need delicious and disgusting, so they have to have those. If they want to look up “sweet” I make very sure they know the difference between “sweet” and “sweat”. I can point them in the right direction to make sure they are looking for adjectives and not nouns, and that they know that the squiggle represents the headword again and so on. I can stop them trying to find dialect or youth speak words that I know won’t be in the dictionary as well as talking them down from things that are too complicated. (“mouth-watering” last year turned out to be “qui met l’eau à la bouche” which didn’t fit properly with parce que c’est and so meant an awful lot of corrections in one set of books)

This year’s students have all wanted to know the word “bland” which caught me a bit on the hop. Happily our native speaker teaching assistant could tell me the French is “fade” without me having to resort to Wordreference.com. I didn’t know that word as a 12-year-old, but learned it a little later on at a very memorable family dinner. It turns out they have all learned it in food technology, so it’s nice to have a bit of cross-curricular working.

I’m currently avoiding marking a set of books where some of the words they went for were mouldy, divine, and rank, so I am getting sentences like j’adore les croissants, parce qu’ils sont divins, and je déteste le fromage parce que c’est nauséabond.

Which is nice.

A little later on to get them using connectives more creatively, and get them practising future and past tenses for levels 5 and 6, I will be getting them to do these Barry-Smith-style sheets which I have put on the TES.

Writing about Food (French)

Writing about Food (German)